Melbourne


January has been a good month for music.  With the numerous festivals around at the moment, there has been no shortage of single shows to keep Melbourne entertained.

So what better way to say sayonara to the holiday period than with a gig by Arcade Fire  Selling out in super quick time, the band settled on two shows for Melbourne just after the Big Day Out festival. 

Anticipation and excitement were running high and there seemed to be a buzz amongst the crowd as punters filed in for one of the best live gigs I’ve seen in a very long while.

At the start, the band seemed to focus on playing a number of songs from their new-ish album of last year, Neon Bible, however 2004’s Funeral was definitely represented, with the band playing the favourites “Neighbourhood #1 (Tunnels)”, “Neighbourhood #2 (Laika)” and my favourite, “Rebellion (Lies)”.  As a treat, towards the end of the gig the band treated the audience to an older track, “Headlights look like Diamonds”.

Although Win Butler’s massive frame commanded attention for much of the show, the rest of the band members had their prescence known, with Regine singing along to the crowd and running between the many instruments she masters.  Will Butler definitely seemed to be getting into it the most, at one point jumping over his drumset to get to the keyboards and nearly breaking his neck in the process.

I was unsure as to how their music would translate to a live setting, but the band didn’t disappoint, sounding stronger than ever.  I was most suprised that Regine’s sweet, almost childlike voice stood up better than on disc.  All in all it was an excellent, high energy show that would convert event the toughest of critics.

Check them out if you get the chance.

Playing to a seeminly sold out Corner Hotel on Saturday, Built to Spill definitely showed they still have the chops since coming to my attention 11 years ago when The Normal Years was released.  I have to admit I was suprised to see so many people, considering You in Reverse, their album on 2006 seemed to sink without a trace.  But the place was packed despite the heat and the crowed brimmed with anticipation (or maybe that was just me).

As it’s a good few years since I was a huge fan, I wasn’t sure if I would be able to get into the  show as much as I may have as a teenager.  I needn’t have worried though, the band came accross very strong and high energy, particularly compared to their opening act The Crayon Fields.

Probably as it’s their first time in Australia, the band pleased the crowd with some old favourites such as Carry the Zero and Nowhere Nothing Fuckup.  The only detractor would have to be the way the show ended.  As soon as the encore hit and I heard the opening bars of Randy Describes Eternity I knew what I was in for.  18 minutes of distortion followed a genuinely good performance of the song.  It had to happen, though ending on that note might not have been the best idea of a lasting impression.

 

With the Big Day Out touring around the country in a few weeks, one thing you can count on is some great side shows.

One band I was really hoping would do a side show is The Arcade Fire.  After a few weeks of religiously checking my local street press for any sign of news, finally a gig in Melbourne has been announced.

The band is set to play The Forum on 29th January ‘08.  Tickets go on sale on the 12th Dec and are $87.00.

Other bands to keep an eye on for side shows in this Big Day Out season are Bjork, Spoon, Rage Against the Machine, Battles (who are also doing a sideshow), Die! Die! Die!, Billy Bragg and Unkle.

Just thought I’d mention how good the St Jerome’s Laneway Festival is looking this year.

The Melbourne date is 24th of February and features a bill including Clap Your Hands Say Yeah, Okkervil River, Gotye, Feist, The Panics and more.

Not to mention the fact that the festival is finally overflowing onto Lonsdale Street which will hopefully allow a bit more breathing space. (There’s only so much garbage smell you can take).

Tickets are on sale now so get a move on!

When the weather heats up, as it’s doing now, there are always a few old staples that I pull out of my collection. A lot of them I should have grown out of by now, but there are a few, more current potentials as well.

So I thought I’d do a warm weather recommendation list for Spring/ Summer:

1. Who among us can go pass Beck. Since ‘97 he’s been my go to guy for all things summer music. There’s just something about the great samples and hispanic references that do it for me. For summer, I think Odelay is where it’s at.

2. Keeping in the vein of nostalgia, I’m gonna say a bit of Pavement- in particular Slanted and Enchanted. I mean, it has a song on it called “Summer Babe”. Need I say more?

3. For something slightly newisher, I’m going to say Matisyahu. Probably the Live at Stubbs album. You just get a feeling of warmth from listening to that, I’m not sure how.

4. The Avalanches are no stranger to good times, and I always find this album puts me in a better mood when I’m walking to work.

5. The Hives. It’s not just that they have a new album out (which perfectly coincides with good weather) but I always feel like listening to a bit of Ven Vidi Vicious when things heat up.

6. The Unicorns, great great band. Not sure what really happened there but as far as I know they are kaput. It’s a real shame though cause Who will Cut our Hair When We’re Gone is a great album.

7. A bit of a favourite in all weather, but for me, The Shins’ Oh Inverted World is definitely a summer album. I think Wincing the Night Away is also a fair contender this year.

8. When it’s really stinking hot and I kind of want to feel sorry for myself, I tend to put on a bit of Wilco. Probably Being There due to the more country slant, but last year I was really into Kicking Television. It’s a good one for a lazy afternoon. 

9. It’s a shame about Pete Doherty, but The Libertines were awesome weren’t they? Like everyone else, I stopped paying too much attention after PD left, but Up The Bracket is a great album.

10. I don’t tend to listen to this album much in the cooler months,probably to avoid depression, but The Magnetic Fields’ 60 Love Songs is always a good summer listen.

11. Pinback, in particular Summer in Abbadon is a good one to listen to around about now, but since their new album, Autumn of the Seraphs is equally good, I would recommend that.

12. Back to a bit of nostalgia, summer wouldn’t be complete with a bit of the Blue Album. Weezer before they went a bit off the wall is always a treat.

13. Iron & Wine are always good, really no matter what temperature, but in particular the album they did with Calexico, In the Reins, is a winner.

14. You’ll forgive me, but I can’t help but gush more about Jens Lekman.  Currently, Night Falls Over Kortedala  is my spring album.

15. Finally, I’m gonna go with a bit of The Beta Band. Though I think the Best of Album is good for an overview, their self titled album is probably my favourite.

Also, as an afterthough, Andrew Bird’s The Mysterious Production of Eggs is definitely a good one for around about now, possibly because I saw him last summer, or possibly just cause it’s a good album.

Take it or leave it, they’re just a few suggestions that I have found myself already thinking about for potential sountracks.

Any other suggestions?

That’s right, everybody’s favourite Christian is finally heading down under at the start of next year.

Check out Sufjan in January 2008 as part of his Australia/ Japan tour.

Dates are:

10th – Brisbane, Australia – The Tivoli
12th – Sydney, Australia State Theatre (Sydney Festival)
13th – Sydney, AustraliaState Theatre (Sydney Festival)
14th – Sydney, AustraliaState Theatre (Sydney Festival)
16th – Melbourne, AustraliaForum Theatre

All tickets are on sale now so hop to it!


With an overabundance of day glo hipsters converging on the Forum Theatre on Saturday night, I have to admit I was dubious. Though I have been singing the praises of the Klaxons for months to anyone willing to listen, there is still an niggling feeling that at 25 I am too old for them. And seeing the crowd on Saturday night didn’t help.

Nevertheless, as I settled in between two flock of seagulls haircuts I felt the usual usual excitement and anticipation welling up. Fortunately, we didn’t have to wait around too long after the easily forgettable support band.

From the moment they came onstage to the moment they departed the show was indeed entertaining. There were typical moments of vocal weakness, but all in all they sounded really tight and succinct , which was a nice surprise after reading so much about how bad they are live. (In particular Noel Gallagher’s comments describing them as “F*cking shocking”, not that I really take advice from Noel Gallagher, though if it was a toss up between him & Liam, it would be him. But I digress…)

The crowd seemed sufficiently pleased. Playing most of their songs off their debut album ‘Myths of the Near Future’, the band gave them plenty of opportunity for crowd singalong. The overall length of the show was a little on the short side, with the band clocking in an hour tops, including encore, but that could probably come down to a lack of songs.

All in all, it was great fun, and I would highly recommend checking them out if you get the chance.

Once

As I can, I shall hijack dear Kentuckys blog for a moment to urge, nay, hmm… yes, urge, you to go and see Once. Its a dear little Irish film starring Glen Hasard of the Frames and Marketa Irglova of… Well, they released an album called “The Swell Season” together last year. Anyway, I thoroughly enjoyed this film, made by former Frames bass player John Carney, and think you should go and see it. Its dimly lit, and very arty, but just a fantastic little little boy meets girl film. It’s not a traditional musical but follows the song-writing journey of a coupe of musicians who meet on the street, fix a vacuum cleaner and then record a demo. Brilliant musical performances, such as the impassioned rendition of ‘Say it to me Now’ whilst busking in front of an alley, or a the demoing of ‘When your minds made up’ in a recording studio make this a sensation little film. I like it even more every time I think about it.

When I was a teenager my sister was kind enough to introduce me to Built to Spill, specifically through a tape of The Normal Years. She insisted that I would like it, however I wasn’t totally hooked and the tape sat in my then extensive tape collection gathering dust. A couple years later, when watching Rage, I saw the clip for You Were Right and was immediately hooked.

When I finally graduated to CD format I went to local record store Dada Records to buy a copy of Perfect From Now On. When I got to the counter, the guy behind the counter approved of my purchase by commenting, “Perfect from now on really describes their sound doesn’t it?”. Mumbling some reply I grabbed my purchase and got out of there asap.

It seems like Built to Spill are often referred to as “A band’s band”. What that means I don’t really know. What I do know is that no other band (bar Pavement) has the power to make me feel so nostalgic for such a bad time (mid nineties- and I refer to teenage years).

I have never seen them perform live, and haven’t listened to them in a few months, but when I heard they were gracing our shores, I could scarcely contain my excitment.

Here as a part of the Falls Festival, Built to Spill are also doing a few side shows.

Check the site for details, in Melbourne the gig is at The Corner Hotel on December 29.

  

Emo’s searching for somewhere they’ll be understood

 Upon trawling the recessing of Internet news (ok, just the The Age online), I came accross another post devoted to all things Emo and people’s feelings about the trend, lifestyle, whatever.

I thought since my own “Do Emo Punks Deserve Respect” post has gotten a lot of feedback, it might be of interest.  Have a look here.

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